The Jazz Heritage Foundation numbers among its good works the introduction of jazz to youngsters in
History may have been made Thursday night when drummer Adam Nussbaum, working with the tenor saxophonist Michael Brecker before a packed house, performed with wire brushes during a ballad.
The trombone, a Cinderella in the jazz world these days, has produced no significant new voices in the last decade or so.
The guitarists George Van Eps and Tony Rizzi have been gigging from time to time as a duo at local clubs in recent years.
Diego playing nothing but what she calls "vintage jazz."
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When she danced with the Jazz Tap Ensemble, Camden Richman proved so deeply musical and strikingly
One of the main functions of the annual Orange Coast College Jazz Festival, which opens Thursday on
About 30 jazz musicians and fans picketed the Toluca Lake Tennis Club on Tuesday, protesting a
enthusiasm have spoken for themselves: the Kool Jazz Festival has once again shown the thriving state of the art and, for the most part, its economic viability.
Like the officials at Coca-Cola, Accept and Queensryche--who co-headlined a metalfest on Saturday at Irvine Meadows Amphitheatre--apparently recognize the strength of their product's old formula.
ALL THAT JAZZ: Walter Yetnikoff and Mo Ostin may have sunk a few jump shots in their day, but
, KCOP Channel 13 plans to do the same with "All That Jazz."
Why Gary Foster remains a virtual unknown is one of the great mysteries of the jazz world.
In an achievement unprecedented in the vocal jazz history of the Grammys, the Manhattan Transfer's "Vocalese" album figured in victories in three categories.
Everyone knows that variety is the spice of life, but Les Hooper may know that better than most.
The aural excitement of George Gershwin's American classic, "Rhapsody in Blue," has diminished since its 1924 premier.
A concert by Argentina's greatest bandoneon virtuoso?
For the second of its series of weekend jazz celebrations, Marineland presented, on its outdoor Sky Tower Stage, the quartet of Richie Cole.
Many pop devotees have argued that no one has influenced the topsy-turvy course of rock 'n' roll more than Jerry Lee Lewis.